All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
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Página 23
... clear distinction . Salingar's analysis that above all Manningham recognized the pattern of Menechmi in Twelfth Night is not supported by Manningham's text . " This should warn us not to assume too quickly that similarities that are clear ...
... clear distinction . Salingar's analysis that above all Manningham recognized the pattern of Menechmi in Twelfth Night is not supported by Manningham's text . " This should warn us not to assume too quickly that similarities that are clear ...
Página 348
... clear to an audience why Guy , unlike the other characters , does not take her for a boy . The text creates a difference between page and lady , and stresses the fact that a transformation into a double character has taken place . Yet ...
... clear to an audience why Guy , unlike the other characters , does not take her for a boy . The text creates a difference between page and lady , and stresses the fact that a transformation into a double character has taken place . Yet ...
Página 375
... clear whether the Paul's Boys ' play The Maid's Metamorphosis preceded As You Like It and thus , whether the ... clear that the passage invites an allegorical interpretation . It is also clear that Shakespeare went out of his way to make ...
... clear whether the Paul's Boys ' play The Maid's Metamorphosis preceded As You Like It and thus , whether the ... clear that the passage invites an allegorical interpretation . It is also clear that Shakespeare went out of his way to make ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young