All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Resultados 1-3 de 94
Página
... CHARACTERS , AND THEIR TRANSFORMATIONS CHAPTER I : PRELIMINARY : LEVELS OF RESPONSE AND REIFICATION OF THE THEATRICAL CHARACTER a . b . Multilevelled Response 1-2 Historiographical Survey 2-8 b.i. The Freeburgian Approach 2-6 b.ii. The ...
... CHARACTERS , AND THEIR TRANSFORMATIONS CHAPTER I : PRELIMINARY : LEVELS OF RESPONSE AND REIFICATION OF THE THEATRICAL CHARACTER a . b . Multilevelled Response 1-2 Historiographical Survey 2-8 b.i. The Freeburgian Approach 2-6 b.ii. The ...
Página 19
... characters ( uniqueness of acting a character ) , the power of the character on the personality of the actor ( reification and imitation of the character ) , and the essential literary nature of theatrical communication ( poetry on its ...
... characters ( uniqueness of acting a character ) , the power of the character on the personality of the actor ( reification and imitation of the character ) , and the essential literary nature of theatrical communication ( poetry on its ...
Página 32
... character ( level ( b ) ) . The good actor made no impression on the spectators ' minds as a personality in his own ... Character as a Figure of Speech 107 As suggested above with respect to references to Tamburlaine , an important ...
... character ( level ( b ) ) . The good actor made no impression on the spectators ' minds as a personality in his own ... Character as a Figure of Speech 107 As suggested above with respect to references to Tamburlaine , an important ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young