All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
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Página 43
... actors , this approach is not unlike that used by those who praise excellent actors . 140 One group of actors has deliberately not been mentioned here , the Choristers . Direct evidence on Choristers ' performances is very thin ...
... actors , this approach is not unlike that used by those who praise excellent actors . 140 One group of actors has deliberately not been mentioned here , the Choristers . Direct evidence on Choristers ' performances is very thin ...
Página 68
... actor , in the latter , the character . It is unclear whether Dekker meant actor or character . The poet infuses his poetic fury into actors , who stir the audience . But the poet's words are the effective movers , for the actor works ...
... actor , in the latter , the character . It is unclear whether Dekker meant actor or character . The poet infuses his poetic fury into actors , who stir the audience . But the poet's words are the effective movers , for the actor works ...
Página 75
... actor - focussedness in the Renaissance diminished when less - known actors performed . Personal acquaintance with the actors by the audience or the presence of famous actors would have increased actor - awareness . This suggestion ...
... actor - focussedness in the Renaissance diminished when less - known actors performed . Personal acquaintance with the actors by the audience or the presence of famous actors would have increased actor - awareness . This suggestion ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young