All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
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Página 41
... action " ( sig . [ B4r ] ) . And it should be , for Heywood denigrates public delivery " without a comely and elegant gesture , a gratious and a bewitching kinde of action , a naturall and a familiar motion ... and fit countenance ...
... action " ( sig . [ B4r ] ) . And it should be , for Heywood denigrates public delivery " without a comely and elegant gesture , a gratious and a bewitching kinde of action , a naturall and a familiar motion ... and fit countenance ...
Página 49
... action and in the Actors . The action is two fold ; in word and in deede . The action in wordes is lascivious speches ... the action in deede is the setting forth of all enormities and exhorbitances , with the personating of the doers ...
... action and in the Actors . The action is two fold ; in word and in deede . The action in wordes is lascivious speches ... the action in deede is the setting forth of all enormities and exhorbitances , with the personating of the doers ...
Página 455
... action ) . A listening attitude is also implied in the account of a Venetian who visited the Fortune in 1617. He found it noticeable ( even in the ' popular ' playhouse of the Palsgrave's Men ) " to see such a crowd of nobility , so ...
... action ) . A listening attitude is also implied in the account of a Venetian who visited the Fortune in 1617. He found it noticeable ( even in the ' popular ' playhouse of the Palsgrave's Men ) " to see such a crowd of nobility , so ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young