All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
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Página 61
... Renaissance use of the metaphor of the world as a stage will be discussed here . The actor - character -- player - role -- division in the Renaissance world - stage metaphor is complex , because in it many types of roles are mingled ...
... Renaissance use of the metaphor of the world as a stage will be discussed here . The actor - character -- player - role -- division in the Renaissance world - stage metaphor is complex , because in it many types of roles are mingled ...
Página 126
... Renaissance context , and particularly , the Renaissance view of sexual love between members of the same sex . The traditional Renaissance Platonic division of types of love in the Uranian and Pandemic Venus is not helpful , since both ...
... Renaissance context , and particularly , the Renaissance view of sexual love between members of the same sex . The traditional Renaissance Platonic division of types of love in the Uranian and Pandemic Venus is not helpful , since both ...
Página 575
... Renaissance " , In : Stephen Greenblatt , ed . , Representing the English Renaissance ( Berkely , 1988 ) 65-92 Murray , M. Schwartz and Coppelia Kahn , eds . , Representing Shakespeare : New Psychoanalytic Essays ( Baltimore , 1980 ) ...
... Renaissance " , In : Stephen Greenblatt , ed . , Representing the English Renaissance ( Berkely , 1988 ) 65-92 Murray , M. Schwartz and Coppelia Kahn , eds . , Representing Shakespeare : New Psychoanalytic Essays ( Baltimore , 1980 ) ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young