All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
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Página 51
... Elizabethan Theatre 1580-1615 Henk Gras. CHAPTER III AUDIENCE FOCUS ON THE THEATRICAL CHARACTER AND QUESTIONS OF VOCABULARY AND TRADITIONS Chapter II deduced from documented Elizabethan character - centredness that spectators focussed on ...
... Elizabethan Theatre 1580-1615 Henk Gras. CHAPTER III AUDIENCE FOCUS ON THE THEATRICAL CHARACTER AND QUESTIONS OF VOCABULARY AND TRADITIONS Chapter II deduced from documented Elizabethan character - centredness that spectators focussed on ...
Página 52
... Elizabethan Theatre 1580-1615 Henk Gras. describing tradition . ( The possibility that Elizabethans copied a tradition other than the classical will not be pursued here , though it remains a possibility for further study . ) Most of the ...
... Elizabethan Theatre 1580-1615 Henk Gras. describing tradition . ( The possibility that Elizabethans copied a tradition other than the classical will not be pursued here , though it remains a possibility for further study . ) Most of the ...
Página 53
... Elizabethan Theatre 1580-1615 Henk Gras. i . Are Roman Rhetoricians also Imitated in Elizabethan Criticism about Actor and Character ? As does Elizabethan copying of classical remarks on response to and the effects of theatrical ...
... Elizabethan Theatre 1580-1615 Henk Gras. i . Are Roman Rhetoricians also Imitated in Elizabethan Criticism about Actor and Character ? As does Elizabethan copying of classical remarks on response to and the effects of theatrical ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young