All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 páginas |
Dentro del libro
Página 270
... Philaster's audience , then , need a keen ear for the play's text , and the context for interpreting the passage as containing signals for a disguised heroine is limited . The indication in Philaster , 2.1.57-60 , seems clearer . Philaster ...
... Philaster's audience , then , need a keen ear for the play's text , and the context for interpreting the passage as containing signals for a disguised heroine is limited . The indication in Philaster , 2.1.57-60 , seems clearer . Philaster ...
Página 271
... Philaster must break down if Bellario is to marry Philaster . The first quarto , uneasy about deviating from accepted traditions , has Galatea and Euphrasia married to Clerimond and Thrasiline . This might indicate that the writer of ...
... Philaster must break down if Bellario is to marry Philaster . The first quarto , uneasy about deviating from accepted traditions , has Galatea and Euphrasia married to Clerimond and Thrasiline . This might indicate that the writer of ...
Página 504
... Philaster , ( London , rpt . , 1973 ) p . lxxvii . 24.Gurr decisively rejects Savage's argument that the first quarto was a censored version of the second , see pp . 1xxv - lxxvi . 25.Gurr , p . lxxviii . 26.Gurr , p . 1xxviii ; Turner ...
... Philaster , ( London , rpt . , 1973 ) p . lxxvii . 24.Gurr decisively rejects Savage's argument that the first quarto was a censored version of the second , see pp . 1xxv - lxxvi . 25.Gurr , p . lxxviii . 26.Gurr , p . 1xxviii ; Turner ...
Términos y frases comunes
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young